![]() Modeling nature is not always about trees and shrubs. Terms of the deal were not announced for a little while longer Bentley is a private company and doesn’t have to disclose such information. The plan is to still work for film studios as well as the AEC side. Would the execs in Exton, PA know what to do with a bunch of Paris software artistes? Founder Nicholas Phelps is staying on, always a good sign. Responding to demand, E-On created LumenRT, using their technology for architectural and engineering rendering.īentley is allowing E-on to continue as a Bentley subsidiary, instead of assimilating it as with most of its acquisitions. ![]() They make it easy to add lush nature scenes to any rendered 3D model. If you have watched, Minions, Jupiter Ascending, How To Train Your Dragon, Avatar, The Hunger Games, The Avengers, Hugo, or Terminator then you have seen what E-on’s VUE and PlantFactory software tools can accomplish. They have always had a few clients in architecture, but what E-on likes to brag about is the work their software has accomplished for Hollywood. We’ve written about E-on here before, because they are very good at what they do, which is model natural environments in 3D. E-on’s LumenRT uses the cinematic features of its other software for engineering. E-on? Bentley? Bentley bought E-on? No, can’t be. And then it still made me think, and think again. I had to read the headline of the press release twice. Bentley bought E-on for the architects and engineers who create pretty pictures for clients, but this also puts Bentley in the film industry.
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